"What do you want of him," Fleda sadly asked, "feeling as you do to both of us?" "You do mean literally everything, to the last little miniature on the last little screen?"!

"Quite right. There's nothing like them," said Mrs. Gereth. At this her companion took up one of her hands again and kissed it as she had done in London. "Mona went back that night; she was not there yesterday. Owen stayed on," she added. Mrs. Gereth, delivering herself from the doorstep, had tossed the periodical higher in air than was absolutely needful—tossed it toward the carriage the retreating party was about to enter. Mona, from the force of habit, the reflex action of the custom of sport, had popped out, with a little spring, a long arm and intercepted the missile as easily as she would have caused a tennis-ball to rebound from a racket. "Good catch!" Owen had cried, so genuinely pleased that practically no notice was taken of his mother's impressive remarks. It was to the accompaniment of romping laughter, as Mrs. Gereth afterwards said, that the carriage had rolled away; but it was while that laughter was still in the air that Fleda Vetch, white and terrible, had turned upon her hostess with her scorching "How could you? Great God, how could you?" This lady's perfect blankness was from the first a sign of her serene conscience, and the fact that till indoctrinated she didn't even know what Fleda meant by resenting her late offense to every susceptibility gave our young woman a sore, scared perception that her own value in the house was just the value, as one might say, of a good agent. Mrs. Gereth was generously sorry, but she was still more surprised—surprised at Fleda's not having liked to be shown off to Owen as the right sort of wife for him. Why not, in the name of wonder, if she absolutely was the right sort? She had admitted on explanation that she could see what her young friend meant by having been laid, as Fleda called it, at his feet; but it struck the girl that the admission was only made to please her, and that Mrs. Gereth was secretly surprised at her not being as happy to be sacrificed to the supremacy of a high standard as she was happy to sacrifice her. She had taken a tremendous fancy to her, but that was on account of the fancy—to Poynton of course—Fleda herself had taken. Wasn't this latter fancy then so great after all? Fleda felt that she could declare it to be great indeed when really for the sake of it she could forgive what she had suffered and, after reproaches and tears, asseverations and kisses, after learning that she was cared for only as a priestess of the altar and a view of her bruised dignity which left no alternative to flight, could accept the shame with the balm, consent not to depart, take refuge in the thin comfort of at least knowing the truth. The truth was simply that all Mrs. Gereth's scruples were on one side and that her ruling passion had in a manner despoiled her of her humanity. On the second day, after the tide of emotion had somewhat ebbed, she said soothingly to her companion: "But you would, after all, marry him, you know, darling, wouldn't you, if that girl were not there? I mean of course if he were to ask you," Mrs. Gereth had thoughtfully added.

"I am, but you're not!" Owen exclaimed. Fleda turned pale, but she faced her companion and smiled. "You confound, Mrs. Gereth, you mix things up. You've only had it from my own mouth that I care for him!" "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.